DR. LEIGH CLAIRE LA BERGE is currently working on a book entitled Wages Against Artwork: The Social Practice of Decommodification, sections of which have been published in South Atlantic Quarterly and Postmodern Culture.
Concerned with the economic trend of uncompensated work and the
aesthetic trend of artwork that seeks to ameliorate social inequality, Wages Against Artwork asks what kind of claims the aesthetic can make in an expiring welfare state.
Her first book, Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2015) tracked the contest between postmodern and realist fictions about finance in a nascent era of financialization, and her articles have appeared in Radical Philosophy, Studies in American Fiction, Criticism, Journal of Cultural Economy, and the Radical History Review. She is the co-editor, along with Alison Shonkwiler, of Reading Capitalist Realism (Iowa, 2014). She is assistant professor of English at the City University of New York (BMCC).
Her first book, Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2015) tracked the contest between postmodern and realist fictions about finance in a nascent era of financialization, and her articles have appeared in Radical Philosophy, Studies in American Fiction, Criticism, Journal of Cultural Economy, and the Radical History Review. She is the co-editor, along with Alison Shonkwiler, of Reading Capitalist Realism (Iowa, 2014). She is assistant professor of English at the City University of New York (BMCC).
